Editor
Working with high-fashion portrait source material, the goal was to transcend conventional editing boundaries and engineer a hyper-surreal, avant-garde reality. The final pieces challenge standard beauty and editorial conventions — carrying a dark, subversive energy.


A primary technical anchor was the digital sculpting of hyper-detailed, impossible hair formations. Taking fragments of physical hair fibers from the original photography, I systematically cloned, warped, and layered them into massive, liquid-like silhouettes that flow organically through empty space — turning hair itself into an aggressive, fine-art sculptural element.



The project balances minimalist, deep-black studio environments against complex, multi-layered digital worlds. I designed dreamlike landscapes featuring massive surreal elements, shifting water textures, and macro-grain film distortion overlays.
Meticulous light-wrapping, shadow casting, and precision color grading tied the model's physical lace, leather, and corset elements seamlessly into the fabricated digital environments — creating high-fidelity visual assets that feel both tactile and otherworldly.